Article about Triangle Theatre's Museum Performance
Clothier, J.S (2014) 'Authentic pretending: how theatrical is
museum theatre?' in Museum Management and Curatorship. Vol 29 (3) .London: Taylor and Francis

Notes from training day 21st November, 2007

 

 

​

A summary of key themes in Triangle's work in the area of biography and history.
Carran Waterfield, Artistic Director, Triangle

(Images by G. Caulfield, & J Burton, featuring T.Challenger, K.Howe, M.Rogers, J.Foster & P.Allender with Triangle actors)

 

 

 

Fact & Fiction On collaborative interpretation, or how to engage with the visitor

Richard Talbot & Carran Waterfield

 

 

Foot in Both Camps: Parody, Pastiche & Living History

Notes from a discussion which attempts to refocus the interpretation optic,and to move from grammatical perspectives,
that is, 1st/2nd and 3rd person interpretation, to physical spaces that is the uncertain and in-between space, between you and me.

Notes from training day 21st November, 2007

Notes for Actors

Summer 2007 - Triangle Actor's Journals:

Butler's Journal - Patrick Campbell

Scullery Maid's Journal - Lindsey Chapman

Architect's Journal - Richard Talbot

 

Bibliography
Bangma, A (2003) Experience,Memory,Re-enactment. Nederlands: Piet Zwart Institute

 

Birch Donald, E (ed.) (1983) Mary Elizabeth Lucy, Mistress of Charlecote London: Orion.

​

May, T. (2003) The Victorian Domestic. London: Bloomsbury Servant Shire Publications

​

Fairfax-Lucy, A (1958) Charlecote and the Lucys; the chronicle of an English family. Oxford: Oxford University Press.

​

Pearce, P & Fairfax-Lucy, B. (1968) Children of Charlecote Oxford: Oxford University Press.

​

Sweet, M. (2002) Inventing the Victorians. London: Faber & FaberWilson, A.N. (2002) The Victorians. London: Arrow Books

​

Talbot, R J & Andrews, N  (2011) “Triangle's Immersive Museum Theatre: performativity, historical interpretation and research in-role” In Jackson, A & Kidd, J (eds.), Performing Heritage. Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester: Manchester University Press. ISBN 0719081599.

Talbot, R J (2017) ‘She Wants You To Kiss Her - Negotiating Risk In The Immersive  Frieze, J. Ed. in Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. London: Palgrave
 

Wainwright, C. (1989) The Romantic Interior: The British Collector at Home, 1750-1850 Baltimore: Paul Mellon Center

​

Online

​

Kentwell Hall Suffolk site featuring 1st person large-scale events and living historyNina Pope and Karen Guthrie Visual/Performance artists collaborating with Kentwell Curators

Colonial Williamsburg East Coast USA - Large commercial sites featuring 1st person living historyPlimoth Plantation

Skansen Sweden The first living history site in Europe (est. 1871)